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We speak to beatmaker Michael Volpe about the incredible story of 'I'm God'. It might be all of 64 kbps, ripped straight from YouTube, or still graffitied with metadata from a long since ed blog.
Such was the download game in It first surfaced in as a vehicle for rap oddball Lil B, before an instrumental version was set free onto the internet two years later.
Never officially released, it quickly became a cult favourite: disseminated on file-sharing services and uploaded to YouTube by fans, where it went viral.
But its legacy goes beyond just play counts. Put in historical context, the track marked a couple of important micro-revolutions for music.
In the late aughts and early s, emerging producers and rappers would connect on email and build tracks together without ever meeting face to face. With no record labels in the way, they would chuck their handiwork on random file-sharing links or MySpace pages something that unintentionally lent the songs an impermanence.
Finding the gems required keeping an ear to the ground; knowing who to listen to and where to dig. The sound of cloud rap was murky and morose melodies paired with hip-hop drums, purpose designed to be spacious enough to be rapped over.
To mark the occasion, we spoke to Clams Casino, aka New Jersey beatmaker Michael Volpe, about ten years as an underground hero. Where were you at with your career then?
I was really early on. I had just been reaching out to artists and rappers using MySpace, sending them beats to use for free.
The sending beats to rappers -- is that how you got linked up with Lil B? I was a super fan of The Pack, this group he was in earlier on.
So I reached out to him a couple of years later when I started getting serious about getting music out.
A couple years after that, in , was the first time we connected online. Did you feel much a part of the electronic music scene then, or was your eye always on hip-hop?
At that time it was definitely all hip-hop to me, really. I was just making rap beats and sending them around.
And all of a sudden I became a part of it as an artist. I put out a bunch of rap beats -- stuff that was made to be rapped on, and sent to rappers.
I guess there was something about it that could stand on its own, and a lot of people knew that about my music before I did. The Guardian. Village Voice.
Archived from the original on Retrieved November 27, Archived from the original on October 31, Retrieved February 13, The Nutley High School grad first began to tinker with beats as a teen, fooling around with basic keyboards and synthesizers, much simpler ones than the machines now scattered around his basement home studio.
Philadelphia Weekly. The New York Times.